“JFK MEMENTO is a true immersive archaeology process” – Chloe Rochereuil, Victor Agulhon (TARGO)

French documentary filmmakers Chloe Rochereuil (director) and Victor Agulhon (producer) have been churning out eventful releases on the Meta platform for the past 3 years. Their film SURVIVING 9/11 already demonstrated the importance of exploring key dates in history, and JFK MEMENTO continues in this direction. More than just a film, it's an exploration of […]

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”Experiencing the trees memories” – Emmanuel Vaughan-Lee & Adam Loften (THE ATOMIC TREE)

The Atomic Tree is a journey into the memories of one of the most revered trees in the world—a 400-year-old Japanese White Pine bonsai that witnessed—and survived—the atomic blast in Hiroshima. A culture of environmental and social issue filmmaking Emmanuel

“Immersing the viewer is the art of losing them in the experience” – Yolanda Markopoulou (WHITE DWARF, PARADISE LOST)

Immersive art is a creative field that continually welcomes newcomers from other horizons. Yolanda Markopoulou is a theatre director and producer, who last year presented her first immersive VR performance, WHITE DWARF, at the Thessaloniki International Film Festival – Immersive

“Creating a space where artists can engage in critical conversations” – Mark Atkin (CPH:DOX Inter:Active 2025)

The new edition of CPH:DOX will begin on March 19th, with this year’s immersive section focused on exploring resilience, both human and environmental. We had the opportunity to speak with curator Mark Atkin about an edition that will showcase a

“A lab to dig down to the core of the story and break down expectations about immersive productions” – Mads Damsbo (EUCL)

The European Creators Lab, which for years has supported artists from a wide variety of fields in developing their immersive projects, is back for 2024. The new call to participate in next April’s Development Lab is now open, and you

“With Surround Sync, we combine immersive and cinematic viewing experiences to offer our audience the very best” – Briege Whitehead (White Spark Pictures)

“VR cinema”: an idea as old as the return of virtual reality content to the general public 10 years ago. It has naturally occurred with the increasing accessibility of headsets, their price and the software interfaces enabling them to be

“Redefining the relationship between IRL, online and VR components” – Ana Brzezińska (Tribeca Immersive)

An exciting new edition of the Tribeca Film Festival kicks off today, with an immersive section that reflects the artistic tradition of this festival, but also looks at the connection between immersive technologies and ‘real life’, focusing on the accessibility