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“Create an experience, not a film” – Jonathan Griffith (TOUCHING THE SKY)
Read more: “Create an experience, not a film” – Jonathan Griffith (TOUCHING THE SKY)Based in Chamonix, Jonathan Griffith is one of the most renowned photographers and filmmakers in the world of mountaineering. An experienced climber and regular contributor to Meta and Red Bull, he has been pushing the boundaries of immersive filmmaking for several years with films such as EVEREST VR, THE SOLOIST VR, and the recent TOUCHING…
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Humanity Has a New Home: Felix & Paul Studios’ INTERSTELLAR ARC is now open at AREA15
Read more: Humanity Has a New Home: Felix & Paul Studios’ INTERSTELLAR ARC is now open at AREA15INTERSTELLAR ARC, the awe-inspiring new immersive experience from the Emmy Award-winning creators at Felix & Paul Studios, is now open exclusively at AREA15 in Las Vegas. Guests are invited to embark on a captivating emotional journey, set centuries in the future and light-years from Earth. In the 23rd century, humanity is emerging from centuries of…
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At DOK: a deep dive into Leipzig’s DOK Neuland and DOK Exchange programmes
Read more: At DOK: a deep dive into Leipzig’s DOK Neuland and DOK Exchange programmesThe DOK Neuland XR exhibition and DOK Exchange conference, taking place as part of DOK Leipzig (27 October – 2 November), explore the realities and future of XR. DOK Neuland, curated by Dana Melaver, is a public showcase of XR projects, performances and workshops and DOK Exchange XR, curated and coordinated by Weronika M. Lewandowska,…
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“If you want to create empathy, it doesn’t matter what kind of medium, there’s craft in telling the story” – Steye Hallema (ANCESTORS)
Read more: “If you want to create empathy, it doesn’t matter what kind of medium, there’s craft in telling the story” – Steye Hallema (ANCESTORS)ANCESTORS is a unique participatory journey six generations into the future, exploring how today’s choices shape tomorrow’s world. In a large-group experience, the piece uses AI and guides you by your smartphone to connect with others around you. Directed by Steye Hallema (THE IMAGINARY FRIEND) for the Smartphone Orchestra, it premiered at IDFA 2024 and…
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“Festivals matter more than ever, as places where work is promoted, ideas circulate, and different viewpoints are expressed” – Anaïs Emery (GIFF 2025)
Read more: “Festivals matter more than ever, as places where work is promoted, ideas circulate, and different viewpoints are expressed” – Anaïs Emery (GIFF 2025)Opening on October 31, the 31st GIFF (Geneva International Film Festival) presents an immersive section full of new pieces to discover (and re-discover!) and a market that directly engages with the field’s challenges and potential. Cover: Future Botanica (Polymorf) A deep dive into Dutch immersive production, a new collaboration with music at its core, XR…
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“it was all about creating and maintaining a trust and a transparency in the process between the participants and the creators” – Mads Damsbo (DARK ROOMS)
Read more: “it was all about creating and maintaining a trust and a transparency in the process between the participants and the creators” – Mads Damsbo (DARK ROOMS)DARK ROOMS, presented recently at Venice Immersive 2025, is an embodied exploration of human psychology through the prism of sexuality, directed by Mads Damsbo, Laurits Flensted Jensen and Anne Sofie Steen Sverdrup. Three viewers are invited to explore inner spaces, each one a private, intimate story told and co-created with real peole – Anjay, Trixie D.,…
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“Having a strong digital ecosystem should encourage the local art scene to take an interest in it” – Ondřej Moravec (Art*VR Festival 2025)
Read more: “Having a strong digital ecosystem should encourage the local art scene to take an interest in it” – Ondřej Moravec (Art*VR Festival 2025)Created in Prague in 2023, Art*VR has grown every year since. With new sections, new formats, and a consistently strong editorial focus, this event dedicated to immersive creation is increasingly making its mark—and gaining importance within the industry. We take a look at an ambitious third year, in the middle of a big month for…
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“A story built on multiple layers of time and space that naturally lend themselves to the medium of VR” – Singing Chen, Chuan Ming-Yuan, Huang Yu-Jie (THE CLOUDS ARE TWO THOUSAND METERS UP)
Read more: “A story built on multiple layers of time and space that naturally lend themselves to the medium of VR” – Singing Chen, Chuan Ming-Yuan, Huang Yu-Jie (THE CLOUDS ARE TWO THOUSAND METERS UP)Winner of the GRAND PRIZE at Venice Immersive 2025, THE CLOUDS ARE TWO THOUSAND METERS UP is the beautiful and poetic new piece by Singing Chen, following the acclaimed THE MAN WHO COULDN’T LEAVE. After the sudden death of his wife, Guan discovers her unfinished novel — a tale intertwining the endangered clouded leopard and…
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The first edition of the Annwn Prize unveils its 25 nominated immersive works
Read more: The first edition of the Annwn Prize unveils its 25 nominated immersive worksSome of the world’s most innovative and creatively ambitious artists and studios are in the running for a new global art prize, established to celebrate and define excellence in using creative technology to immerse audiences in new worlds. Today, Wednesday 1 October, the Annwn Prize – the first global award that celebrates excellence in immersive…
Interview
Our series of interviews in the immersive industry offers unique insights from experts and pioneers shaping the future of interactive storytelling.
Festival
Our coverage of festivals showcases the diverse range of cultural and artistic events from around the world, providing a glimpse of what’s to come next.
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Where we explore the multifaceted nature of the creative process and offer practical advice, inspiring stories, and thought-provoking insights.
